About Me


Kenrick Ho (b.1997) is a Toronto-born, Hong Kong-raised, and now UK-based composer-researcher currently completing a PhD in composition at the University of Leeds. His practice-led thesis, supervised by Martin Iddon and Freya Bailes, explores creative opportunities that emerge within various kinds/levels of human agencies in AI embodiment through experimental composition. More specifically, his research/music engages with questions about the physicality of performance, embodied cognition, and more broadly, the manifold interrelationship between the performer, composer, and the machine as artistic decision makers. He is expected to complete his doctoral degree by September 2023.

  • 2020 – Current
    Practice-led PhD, University of Leeds. Studying with Martin Iddon and Freya Bailes
  • 2018 – 2020
    Mmus, Trinity Laban Conservatoire of Music and Dance. Studied with Sam Hayden and John Lely
  • 2015 — 2018
    Bmus, Royal Holloway, University of London. Studied with Mark Bowden and Aaron Holloway-Nahum
  • 2011 — 2015
    IB billingual Diploma, Renaissance College Hong Kong
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  • Jan 2023 – Current
    Teaching Assistant in Understanding Music, University of Leeds
  • Sep 2022 – Current
    Teaching Assistant in Music History and Culture, University of Leeds
  • Sep – Dec 2021
    Teaching Assistant in Contemorary Composition, University of Leeds
    ...
  • Mar – Jul 2021
    Quality Assurance Intern, Student Education Services, University of Leeds
  • Jan — Apr 2021
    Workshop Leader in Algorithmic Composition, Art Clubbers London
  • Jul — Aug 2018
    A&R Intern, Emperor Entertainment Hong Kong
  • Sep 2017 — Aug 2018
    Freelance Soundtrack Composer, Anispace Studios Hong Kong
  • Jul — Aug 2017
    Intern, Hong Kong Philharmonic Orchestra
  • Jun — Jul 2017
    Music Channel Intern, Commercial Radio Hong Kong
  • Jun — Aug 2016
    Intern, KKBOX Hong Kong
  • Jun — Aug 2015
    A&R Intern, Universal Music Group Hong Kong
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  • 2022
    Brian Archinal (multi-percussion), Steven Moore (marimba), Mira Benjamin (violin)
  • 2021
    Seth Josel (guitar), Ben Adamson and Mia Windsor (percussion and live-reactive visuals)
  • 2020 and Earlier
    Heather Roche (bass clarinet), Carla Rees (Kingma flute), Bartosz Głowacki (accordion), CoMA Voices, Trinity Laban New Music Ensemble, The Hermes Experiment, The Smith Quartet, Rarscale Flute quintet, Juice Vocal Ensemble, CHROMA Ensemble, Hong Kong City University Concert Singers
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Compositions

Acoustic Works

View my portfolio of instrumental solo and ensemble pieces.

Electroacoustic Works

View my electroacoustic works and electronic installations.

Multimedia Works

View my works that use live or fixed multimedia.

Research

Conferences

List of conference presentations

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Publications

List of past and upcoming publications

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Performances

List of research-led performances

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Codes



Live-sound Spectral Visualizer

A patch that learns and recognizes different spectral qualities of live sounds which are then mapped to trigger visual cues.

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Responsive Website

A custom made, interactive website written using a combination of html, css and javascript which responds to different screen dimensions.

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MIDI Pitch Class Counter

A simple patch that keeps count of pitch class recurrences (octave specificity optional). Useful for statsitical analysis of MIDI data.

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Structurally Independent Style Imitator

A patch that uses 4 inner markov chains independently so each section can learn and reproduce differently.

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Ascii Number Sonifier

A patch that sends pre-written messages in terms of ascii numbers to a jitter object and a synthesizer simultaneously.

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Heterophonic Music Generator

A generative patch that uses customizable means of heterophony for up to three voices.

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Weighted Microtonal Music Generator

A generative patch with customizable tuning systems and probability ratios.

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Contact Me

kenrickho1997@gmail.com